Services / Social Media Marketing
Content, management and paid campaigns — built on the same ideas, and the same footage, as the work we produce in the real world.
We have something to post about.
The hardest part of running a brand's social account is never the scheduling or the captions. It's finding something real to say twice a week, month after month, without resorting to stock photos and quote graphics.
Because we build stands, run activations and produce campaigns, there is always a shoot happening, a build going up, or an event running. The content problem solves itself before it starts.
THE ADVANTAGE
The build, the shoot and the feed are the same job.
When the agency running your account is also the one producing the work, the content pipeline stops depending on whether anyone remembered to take photos.
PHOTOGRAPHY & VIDEOGRAPHYWHAT WE RUN
Photo, video and design produced for the channel, not cropped down from something made for somewhere else.
Planning, scheduling, publishing and community replies — handled so the account does not go quiet for three weeks.
A calendar built around what is actually happening — launches, events, builds and seasons — rather than filler.
Media buying across Meta and the rest, with the creative made by the same team running the spend.
Live posting from the ground while it is happening, with edited follow-ups in the days after.
What was posted, what it reached, what it cost, and what we would change next month.
RUNNING NOW
We started offering this recently. These are the accounts we currently run.
One line on the sector, what we handle for them, and roughly how long we have been running it.
Same again — sector, scope, and how long. Replace the grid below with real post thumbnails once you have them.
HOW WE WORK
Three pieces a week that are worth watching beat daily filler that trains people to scroll past your name.
Running them separately wastes both. The posts that earn attention on their own are the ones worth putting budget behind.
Enquiries, visits and bookings — not follower counts, which anyone can buy and nobody spends.
HOW IT RUNS
What the account looks like now, who is actually following it, and what it should be doing instead.
A calendar built around real events — launches, builds, seasons — with the shoots scheduled against it.
Our crew captures enough material in one visit to carry several weeks of posting.
Posting on schedule, replying to comments and messages, and keeping the account alive between campaigns.
Budget put behind what is already working, targeted to the people who can actually buy.
Monthly review of what performed, what did not, and what changes next month.
PRACTICALS
PLACEHOLDER — retainer vs campaign-by-campaign, minimum commitment. CONFIRM WITH CLIENT
PLACEHOLDER — whether budget is managed, and how it is billed. CONFIRM WITH CLIENT
PLACEHOLDER — Instagram, Facebook, TikTok, LinkedIn, and which are actually supported. CONFIRM WITH CLIENT
PLACEHOLDER — shoot frequency included in a standard month. CONFIRM WITH CLIENT
PLACEHOLDER — handover, access, and what happens to existing content. CONFIRM WITH CLIENT
PLACEHOLDER — whether social is sold standalone. Important: the page currently argues the two work better together, so the answer should not contradict that. CONFIRM WITH CLIENT
NEXT STEP